A thousand words

May 11th, 2008

A recent (and hilarious) thread on Derailed by Darry:

Ryan: I’m sorry if this is a little weird but are you (Jason) a man or a woman? It’s just when I read your posts sometimes it gives the idea that another guy is writing them. But then in another post it feels like what a girl might say. I’m not try to say anything, it’s just that it’s annoying me to no end. If you could I really would like to know.

Jason: Yep… these are my readers.

zomglazerspewpewpew: hmmm, I think jason is a gurl, sometimes….. most of the time….some of the time… i donno wat to think

Chumara: Oh and you’re a girl right Jason?

Taltos: I tentatively sense the creation of Jason-ko. Mind boggling.

Nickwad: I’ve always thought that Jason was an inverse trap, like the one in Persona Trinity Souls.

Neriya: Jason as a trap? Intriguing. But I’m sure it’s not his fault. He was probably forced to crossdress by a classmate’s older sister, and that led him down a path of no return…or an eccentric relative left him out of their will unless he attended an all girls school, leading him down a path of no return… or he finally snapped after falling for his new male roommate who turned out to be female, who turned out to be a trap (Thank you Beowulf Lee >_>)

Turambar: And Jason as a trap… this makes so much sense!

Sheba: It DOES compute.

Jason: How does it make sense?! How does it compute?! (Unless Turambar and Sheba and half my readership are actually writers for Code Geass R2…)

Turambar: Well, your comments on traps are far too insightful to be coming from someone who is merely broken him/herself. No, they come from someone who is far beyond that, someone who is a source of brokenness itself. Something like a trap!

Jason: I’m scared. Hold me.

Taltos: Just as planned!

waista: Jason = Jasmin! I fuking knew it! Wow. An ecchi fujoshi into meido and girls. I’m in love.

Crusader: There is a level beyond brokeness, its beyond repair and I think Shirukii coined it. So Jasmin, you sure you want your reader to hold you?

tidal: Cue extremely long Animesuki thread on Genderbender Jason, complete with fanart, Shopped pictures and doujinshi. With sports costumes as a moe mode. With glasses. YES WE CAN!


Oh I hoped today would lead me kind of your way,
With a love, and treasures, we’d find there;
And through all the fog, the cracks, the cogs, a gateway;
There I’d find someone to repair me.

        – Eric Johnson and Stephen Barber,
          “When the Sun Meets the Sky”

Lord of the Ninjas

May 10th, 2008

While no one will ever confuse it with The Lord of the Rings, by British author J.R.R. Tolkien, Nabari is starting to show some similarities to the classic epic fantasy novel. The first similarity is the green-haired loli ninja nurse. Everyone remembers the green-haired loli ninja nurse from The Lord of the Rings.

The first thought I had upon seeing Juuji Minami (Juuji-kun) was “That had better not be a boy.” Why? Well, most of the Japanese names I’ve heard that end in “ji” are boy’s names: Yuji (Sakai), Kenji (Ninomiya), Seiji (Mido), and so on. And most of the anime characters who are called “kun” are also boys. (Although Kotaro calls Raimei “Raimei-kun” and Raimei is definitely a girl.) And her last name is Minami, which to readers of Jason’s blog is associated with trap. (She even has a hairclip like Mako-cakes!) It doesn’t help that Nabari has some of the prettiest boys this side of Loveless. But Juuji is a girl, so don’t worry.

Anyway, back to The Lord of the Rings. The main premise of Nabari is that Miharu Rokujo carries the Shinrabansho (a ninja technique that has power over all things in nature) inside him, and he is being hunted by ninjas who want to extract this power from him. In my first post about Nabari, the first parallel that came to mind was Yuji Sakai and the Midnight Lost Child, from Shakugan no Shana. And there are definitely similarities between Miharu and Yuji: they both carry an immense power that the bad guys want to extract from them, and if the bearer is killed, the power is reborn inside a different person.

While the Midnight Lost Child does have the ability to cause immense harm, as shown when the Ball Masque used it to flood Misaki City with the power of existence, it isn’t dangerous by nature. The Midnight Lost Child was created by a Crimson Denizen to give immortality to the man she loved, and now, residing within Yuji, it keeps him from fading from existence like other Torches. Wirhelmina once considered killing Yuji to force his power to relocate to a random person, but the outright destruction of the Midnight Lost Child was never considered.

The Shinrabansho, on the other hand, is an “object of fear that would cause immense harm towards the world”. The Shinrabansho is inherently dangerous to whoever bears it (it destroyed the minds of anyone in the past who tried to unleash its power). The Shinrabansho isn’t the Midnight Lost Child, it’s the One Ring. Remember what the Ring did to Gollum, and to a lesser extent, Bilbo? The five ninja villages, back when they were still on friendly terms with each other, made a conscious effort to seal and destroy it. It’s the one technique to rule them all, and it will cause wars and grief as long as it exists.

There’s another thing the Shinrabansho does that makes it more like the One Ring than the Midnight Lost Child. While anyone who bears a treasure of such power will be hunted, the Midnight Lost Child did not make any of Yuji’s allies desire it. But the Shinrabansho? As Mr. Yamase (a Kairoshu agent posing as one of Miharu’s schoolteachers) said, “Even your friends will want to exploit your power.” Frodo’s allies were all tempted to take the Ring for themselves, and one of them, Boromir, gave in to that temptation and died as a result.

Kotaro would use the Shinrabansho to exact vengeance on the Kairoshu, and he would also use it to build a harem. No, really. Yamase begs Miharu to overwrite his past to put him back in the favor of the Kairoshu. Raimei uses Miharu because his power draws the Kairoshu, and Raimei knows that one day it will draw Raikou, the legendary Pokemon… I mean the rival Kairoshu samurai she has a vendetta against. Kouichi claims not to want anything more than to get rid of the Shinrabansho, but reading spoilers (you were warned!) reveals that he does indeed have a goal which involves it.

The final, and most important, similarity between the One Ring and the Shinrabansho is the special insignificance of the bearer. Bilbo, who had owned the Ring for a really long time before Gandalf discovered its true nature, was neither consumed by its evil (although it did leave a mark) nor compelled to unleash its power because he had no ambitions beyond a stocked pantry and a peaceful life. The only thing Bilbo ever used it for was to become invisible. Bilbo’s nephew, Frodo, was chosen to take the Ring to where it could be destroyed, because of his similar lack of ambition. The last human to bear the Ring, Isildur, refused to destroy it, and chose to use its power, which led to his destruction in short order. In the same way, Miharu’s indifference has, to quote Dio and Zippermouth, become a defense mechanism against the Shinrabansho. The Shinrabansho destroys all those who attempt to control its power, so the best way to not be destroyed by it is to not have any ambitions worth using its power for.

Durandal and Kotaro both suggest to Miharu to become stronger, to become the King of Nabari, so that he can defend himself from those that would desire his power, and learn to wield power responsibly. But one does not become a king without ambition - the very thing that would destroy the bearer of the Shinrabansho. And even a seemingly harmless ambition to serve a friend could lead to an abuse of power. The only good solution is to destroy the Shinrabansho itself. At the end of The Lord of the Rings, there is no Lord, and there is no Ring.

And just like in The Lord of the Rings, once Miharu is in position to destroy the Shinrabansho, he will see for himself how loyal his allies are, and how much ambition he himself has. Already it has been revealed that his allies and his enemies are more similar than he thought… so who can he trust at the end?

Shocking Loli Battle Upset!

May 5th, 2008

No, this can’t be! How could you do this to Chiyo?

This breaks my heart as one who believes that Cute Makes Right, and one whose soul belongs to J.C.Staff. This is just as crushing as Guu’s first round defeat. There is no Yurie.

In other news, Nurse Witch Komugi has just been added to my Netflix queue. She who defeats Chiyo deserves my attention.

Dealing with bugs

May 2nd, 2008


Yes, I did draw this. Yes, I know it doesn’t quite fit the image of the one who intends to become the Barasui of the United States.

There won’t be a new comic page this week. Jason has changed the script for Page 6, breaking up the top of the page into three smaller panels. But I have to correct my weakness in drawing action scenes before I can give Page 6 another try. As Daniel pointed out, Page 6 doesn’t seem kinetic enough. I do have Hayate the Combat Butler and a number of American superhero comics which I will be studying from. The running scenes in Nabari probably wouldn’t be bad reference either. There will be a fair amount of action in this first chapter so it would be worth preparing for.

There is also another reason for not having any new comic pages this week: I need to come in to work (to my real job, which earns my real money) this weekend, on a task which I estimate will take 10 (Edit: 16) hours. There may still be a post about Druaga, Nabari, or Kyouran, but between work and art training, there won’t be time left to draw a real page (Edit: There’s no time even for art training).

When forced to choose which job to do, I have to pick the job that pays me.

Sweet!

April 28th, 2008

All it took was two episodes for Kyouran Kazoku Nikki to replace Nabari as my top show of the season. Sure, Nabari is J.C.Staff being awesome, but Kyouran, despite being produced by a non-J.C.Staff studio, is exactly the type of show I sold my soul to J.C.Staff for.

The first episode was a bit on the frantic and random side, but once the dust settled, the second episode just struck the perfect balance of funny, cute, and heartful that hit my weak spot like two kilograms of fluffy potato mayonnaise. The main story of Yuuka gaining the acceptance of her peers at school was genuinely touching, and showed the family members coming together (managing to stay perfectly in character) and lending their bizarre talents to help make it happen. The intervention (or lack thereof) by Teika and Hyouka was precious too, as was and Ouka and Kyouka’s wedding.

Nabari may be J.C.Staff’s glorious repentance for its past sins (pigs fly when it airs) and The Tower of Druaga brings back wonderful memories of my gaming days, but Kyouran has them both beat. When I compared this show to Hare+Guu and Potemayo after one episode, I had no idea how right I was. Two episodes aren’t enough to judge a series by, but if Kyouran continues in this fashion, the sky’s the limit. Personal all-time Top 10 level. Best of 2008 level. We’re talking Azumanga or Kamichu levels of awesomeness.

Oh yes. More, please.

Family Frenzy

April 27th, 2008

I think the closest I’ll get this season to Potemayo is Kyouran Kazoku Nikki, a show about a paranormal investigator forced to start a family with six sentient beings (a catgirl, a human girl, a robot, a lion, a jellyfish, and a gay guy) who share the DNA of an ancient evil force. It’s cute, frantic, and random as hell. But so was Hare+Guu - the series that ranks second only to Mahoraba on my all time list. And like Guu, the catgirl Kyouka is insane, malicious, and unbelievably powerful - and just might teach a few lessons about what makes a family.

Having dropped Kanokon, that leaves my watch list at: Kyouran, Nabari, and Druaga. Which is more than I thought I’d have, what with people expecting this season to suck and all.

The night wind

April 27th, 2008

Whoever thought that J.C.Staff could do a shonen action series so well? Go here for previous thoughts on Nabari.

Miharu Rokujo, an otherwise ordinary Japanese student, is the bearer of the Shinrabansho, a ninja technique that has power over all things in nature. He is constantly tempted to unleash his power to fulfill his desires. However, those who have borne the Shinrabansho before him were consumed by the power they held when they tried to control it. Fortunately for Miharu, the same indifference that infuriates his friends and teachers also makes him not have any desires worth unleashing his power for. He also has the power (that should not be underestimated) to manipulate people using a very special kind of mind trick.

Thobari Kumohira Durandal is an Irish ninja who is Miharu’s teacher at school. A master of hand-to-hand combat, he has sworn his life and loyalty to Miharu, who he wants to set on the throne of Nabari, the hidden ninja world. He defends Miharu at all costs from the Kairoshu ninja clan that seeks the Shinrabansho.

Kouichi Aizawa, Miharu’s classmate, is a glasses-wearing ninja whose loveable, dorky exterior conceals his proficiency in both spells and weapons and his fierce protectiveness of Miharu. (He would normally be reason enough for Hinano to watch this show, but she seems to have boycotted J.C.Staff and any characters named Kouichi voiced by Satoshi Hino after watching Kimikiss.)

Raimei Shimizu is a samurai who is blonde and twintailed and rocks the house with her energetic personality and mad fighting skills. She also wants to protect Miharu and the Shinrabansho from the Kairoshu clan. It seems she is searching for a rival samurai who has allied himself/herself with the Kairoshu. She has brought Miharu, Kouichi, and Durandal to her village in order to seek the advice of the ninja master Kotaro Fuuma.

Miharu’s party arrives at the village to find the concealing spells protecting it have been dispelled. A dying ninja from the village reports that Kairoshu agents, led by an elite ninja of monstrous power, have come seeking the village’s secret scroll.



The leaders of the Kairoshu squad - the abovementioned monstrous ninja Yoite and a yet unnamed mercenary gunman - have no problems acquiring the scroll. But then Yoite senses that Miharu has the Shinrabansho, and the chase is on.



Kouichi, Raimei, and even Miharu get to show off their abilities fighting the lesser members of the squad, while their teacher, Durandal, takes on the unenviable task of holding off the unstoppable Yoite while Miharu and the others escape.

After seeing the skills of Miharu’s companions, the gunman decides to give up for now. But Yoite doesn’t.



In addition to superhuman strength and speed, Yoite has the forbidden power of Kira, the ability to project his ki to damage his opponent’s body. Although Durandal has the ability to counter the ki projection, it isn’t long before his guard is pierced.



As a last resort, Kouichi, Raimei, and Miharu attack Yoite, but he dispatches them effortlessly.


Only the appearance of a giant cat - a shapeshift form of the ninja master Kotaro Fuuma - saves them.

Nabari is getting really good now. The extent of Durandal’s oath to protect Miharu becomes clear - he is indeed willing to die protecting the Shinrabansho, and Kouichi and Raimei are most probably prepared to do the same. Miharu’s apathy weakens as he is beginning to have friends he cares for and is willing to fight for. This is a good thing in most respects, but this also means that Miharu is beginning to have reasons to want to use the power of the Shinrabansho. A connection is made between Miharu and Yoite - hinted at in the opening and ending credits - both young men with unbelievable powers, on different sides of the conflict but possible friends in the future.

More questions appear. What’s in the scroll that the Kairoshu took from Kotaro’s village, and how does the leader of the Kairoshu plan to use it to gain the Shinrabansho? And where was Kotaro while his village was being ransacked? Why didn’t he show up until the end?

J.C.Staff’s amazing fight scenes (it still feels weird typing that) and background art don’t slip in quality this episode, and make a typical shonen action plot exciting and entertaining. Of course, part of my high opinion of this series may be due to my contract with J.C.Staff, but the fact remains that I think Nabari is the rocking show of the season, and I can’t wait for the next episode.

Starship Channel

April 27th, 2008

With the power of Netflix, I can move closer to my goal of watching every J.C.Staff series ever released in the United States. First stop, Starship Operators.

Starship Operators is a realistic science fiction space opera. When their home planet is taken over and its defense force disbanded, the cadets on board the space battleship Amaterasu mutiny and negotiate a deal with a galactic television network. They’ll receive the funds they need to buy and supply their battleship and fight the invaders, but in return the network will film and broadcast their struggles for profit.

There’s lots of space combat tactics (and lasers that can’t be dodged), characters hiding secrets, and a lot of questions raised about the commercialization of war and news. “You had casualties in that last battle? Cool, have a space funeral. They’re emotional and touching.” And while the media exposure may allow them to be noticed by others who support their cause, the fact that the crew is on TV even in their enemies’ territory means their tactics and planning are publicly available - generally a really bad idea in warfare. Combined with my ridiculous positive bias toward J.C.Staff, there’s plenty to make me continue watching. The show suffers from a general cuteness deficiency but a cute look would definitely not go with the Star Trek-like atmosphere that is effectively created here.

For unintentional humor, the combat alert levels are called DFCs.

Oh, J.C.Staff.

Page 6.0

April 27th, 2008

There is now a category called Latest Pages that contains the most recent version of every page done so far. It’s useful for those who want to bypass my random art, guitar, and loli related posts and get straight to the comic.

Last week the last of the light bulbs above my desk burned out and I had to go to the Home Depot to get replacements. I was going to take the bus, but there was a Mariners game as well as a concert at Qwest Field (the American Football and soon to be Soccer stadium) and traffic along 1st Ave. was impossible. It took me an hour and a half to walk to the Home Depot but it would’ve taken longer on the bus. I actually passed the bus I missed when I left the house.

Anyway, with light in my room I could get to work on the next page. Jason had intended this page to contrast with the previous page, the uninviting nature of the mecha school versus the cuteness of Heart’s Content. He had suggested to remove the scenes with Eric’s parents and just show more of how the school is not cute enough. He also said the robots in the mecha school were too cute.

Ridiculous. “Too cute” robots look like this.

Anyway, on to the page.

Jason had intended for there to be a lot of stuff on this one-panel page: a group of maids, a group of animal girls (cat ears, fox tails etc.) and normal people, as well as the two giant robots Carnozoid and Welcome-san, and the entire main cast: Eric, Fia, Julie, Michiru, Rie, and Shaoxing. However, I couldn’t find enough space on the page to show all of that in a very vertical layout (now even more vertical that it’s in the proper aspect ratio for a Japanese comic page) and put in only what was essential for the story. The composition is still very cluttered, so any suggestions for new layouts would be appreciated.

How I get things done

My setup is pretty simple: a drawing board with a t-square and triangle straight edge. I also have only one pencil and eraser, and a roll of tape. I keep the script and my model sheets close at hand. There are no pens for inking. I intend to do all the inking in Photoshop, where I can mess up as many times as I want.

The composition is tilted, so I tilt the paper and hold it in place with tape. The t-square makes horizontal lines, and the triangle makes vertical lines by sitting one leg on the t-square. When the perspective vanishing point is on the paper, the vanishing lines are made with the triangle. When the vanishing points are off the paper I can use the t-square to make the vanishing lines if they’re fortunate enough to be within the bounds of the board, otherwise, I have to mark the vanishing points with a piece of tape with a dot on it, on a farther away object, and just be good at estimating.

Page 6 in progress. The proper way is to layout the entire page at once, so that the overall composition works, before starting on any of the details. This may sound like an easy thing to remember, but more than once I have gotten carried away with the detail of a face or building that I don’t notice that it doesn’t work with the layout and have to erase it later.

Windows Paint portraits

April 21st, 2008

125 x 125 px. fan art portraits done in Windows Paint, using a mouse. This is definitely a test of patience - some of the more sophisticated portraits took four hours to do - but it’s good training.